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(Source: wickeduniverse, via doctorwho)

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doctorwho:

alicia-mb:

Even though I’d already finished all my Christmas cards, I was so excited for the 50th Anniversary and rewatching old who (The Five Doctors), that when this idea popped up…I couldn’t say no. Especially when 10’s lyric was ‘leaping’.
So, enjoy, one last geeky Who card from me, the Twelve Doctors of Christmas.
(For anyone wondering, my favourites in this pic are Two and Three…and Ten.)
(See the other cards here)

Twelve’s debut drumming.

doctorwho:

alicia-mb:

Even though I’d already finished all my Christmas cards, I was so excited for the 50th Anniversary and rewatching old who (The Five Doctors), that when this idea popped up…I couldn’t say no. Especially when 10’s lyric was ‘leaping’.

So, enjoy, one last geeky Who card from me, the Twelve Doctors of Christmas.

(For anyone wondering, my favourites in this pic are Two and Three…and Ten.)

(See the other cards here)

Twelve’s debut drumming.

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timehlord:

brigwife:

bringmeknitting:

To celebrate Doctor Who’s 50th Anniversary, can this picture of the man that started it all get a million notes?

probably not

77 milion people watched it yesterday, what is 1 milion for us. Let’s do this.


Yeah man, this seems doable.

timehlord:

brigwife:

bringmeknitting:

To celebrate Doctor Who’s 50th Anniversary, can this picture of the man that started it all get a million notes?

probably not

77 milion people watched it yesterday, what is 1 milion for us. Let’s do this.

Yeah man, this seems doable.

(via borntosavethedoctor)

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unwillingadventurer:

“Think of the phrase ‘The ripping of the fabric of time and space’. I wanted to get that ‘tearing’ sound. So I went to a piano that had all its front taken off and it was just a frame with the strings.  I took a key, my front door key and scraped it down one of the strings.  That gave the ‘rippy’ sort of sound. We then took that and changed the speed of it so we could get different pitches. We cut those together, literally cutting the tape with a razor blade and sticking it together. We played it through feedback machines and you play the sound back upon itself as it’s recording so you get this ripple effect of the echo.  And if you do that when the sound is being played backwards, the echo appears to come towards you. If you then turn it around so that the sound is going forwards, it appears to be going away from you. I wanted to get that ‘coming and going’ sound, the rising and falling.”

-Brian Hodgson, describing how he created the materialisation/de-materialisation sound of the TARDIS. A sound that is of course still used today. (Taken from the DW origins Documentary) 

If I have one regret in life, it’s that I will never work at the BBC Radiophonic Workshop in the 1960s.

(via doctorwho)

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This Fan’s Open Letter Will Melt The Heart Of Every “Doctor Who” Obsessive (via Buzzfeed)
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tumblebuggie:

i dunno =_= imagine if this guy stayed for 3 seasons, it’d be impossible to say goodbye.
8mcgann, ten ten tennant is here, aaaand 11smith :)
*[troughton 2-y], and [baker 4]
oh oh oh and i put up the making-of video

tumblebuggie:

i dunno =_= imagine if this guy stayed for 3 seasons, it’d be impossible to say goodbye.

8mcgannten ten tennant is here, aaaand 11smith :)

*[troughton 2-y], and [baker 4]

oh oh oh and i put up the making-of video

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(via Reddit)

(via Reddit)

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tugamaggie:


cheeseburgermore:


my thoughts, exactly.


GENIUS

tugamaggie:

cheeseburgermore:

my thoughts, exactly.

GENIUS

(Source: atlantistel, via maggins)

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